I have been working and thinking about this particular project, featured below, for a while now. It is my newest “open source music video” featuring a Trinidadian calypso by King Austin (Austin Lewis), from 1980. I owe King Austin an enormous debt. I first heard this song in the pub of the University of the West Indies in St. Augustine, Trinidad, one afternoon in mid-August of 1990. It sucked the wind out of me from the very first time, and the song has stayed in my head ever since then. It shaped my approach to the study of international relations, specifically critiques of the Eurocentricity of international developmentalism, as propagated then by Dr. Herb Addo at UWI. It was further fed by the works of George Aseneiro and then Ashis Nandy. Layered with these extra readings and schools of thought, it eventually formed part of the basis for me to enter anthropology (although it was almost literally a toss up between anthropology and sociology that would make my final choice).
The song is a critique of the ideology and practice of progress, from the vantage points of environmental unsustainability, exploitation, inequality, and the resultant social strife. At least part of the vision is inspired by Christian teaching. Yet, his vision is one that has come to be strongly supported by recent scientific research. Indeed, in the days leading up to my concluding work on this video, a striking item was published by the BBC: “Earth on Course for ‘Eco-Crunch’.” It seems that we will need two planets to sustain our current level of consumption, environmental degradation, and growth in population.
Austin Lewis is a modest, unassuming man, who has made the most and very best of the learning made available to him. He says in an interview, “I love every human being very much. It doesn’t matter where you are from. I love all the people and I want to tell them, God bless and have a happy new year.” King Austin asks, as you will hear, some of the primary questions of philosophical importance in what has become an urgent project of utopistics. You can read the complete transcription of the lyrics, as usual, at Guanaguanare’s site, where she also links the message of the song to Steel Pulse’s “Earth Crisis” (you can see the video there, or in my vodpod).
Enough from me, or at least enough text:
3 thoughts on “PROGRESS”
lovely. Reminds me of a gentler contribution of the sort that Pearl Jam tried to make, back when they were still making music videos, with do the evolution.
Excellent, thanks very much. I had never seen that video before, or heard the song, and I added it to my vodpod. It was a “smashing” video, almost literally.
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